“Take another whiff of fresh air,” the gray-bearded bear of a man whispered from the stage. An authentic, original San Francisco hippie, David Freiberg (Quicksilver Messenger Service) fronted the 21st century version of a rock institution on a late summer evening in 2015. The usual motley crowd of several hundred free entertainment seekers milled around the Santa Monica Pier, while the classic guitar riffs of an old Jefferson Airplane tune cut through the cacophony of music and chatter.
Almost 50 years since the Summer of Love in San Francisco, their original incarnation proclaimed, ‘When the truth is found to be lies.’ Well the truth of 2015 is that they are a mere shadow of the Airplane. But those riffs were just enough to provoke grins of recognition between me and an old friend from college days at Berkeley. He had made a special pilgrimage to LA to see the last surviving member of the iconic group that epitomized the San Francisco hippie sound in the sixties.
Known back in the day under a pseudonym of Jack, he is one of those rare Boomers who now in our later days still follows music. Loves it so much he seeks out new bands as well as celebrating the classics. We shared many great music adventures back in the day with weekly visits to the Fillmore West and Winterland in San Francisco to hear bands like Van Morrison (who we saw twice in one week) and the Grateful Dead, hit a lot of local venues. Live music seemed to be everywhere and Jack led our cadre to the best vibes in town. I recall his mastery of air guitar singing ‘Everyone Knows This is Nowhere’ by Neil Young, while walking around the student residential co-op where we lived. One time he led the gang to downtown Berkeley to a free concert by the Youngbloods in the central park, which the kids had named Provo Park. Not like Jack whose real name I now know but don’t use, I still don’t know the official name of the park.
Alas, on that balmy Santa Monica night, after two songs the small guy, with wispy blonde hair who played those distinctive licks disappeared from the stage. The music continued, but Paul Kantner couldn’t continue, he’d made an appearance, but that was about it—a recent heart attack had taken its toll. Sadly, Kantner died this week at the age of 74 after another heart attack.
At the pier, the band consisting of four young musicians and Freiberg carried on with the classic band’s tunes. Although they were essentially a tribute band, competently covering the old songs, when I closed my eyes I heard Grace Slick singing White Rabbit and Miracles.
Those old songs evoked the vibe, like a time-tunnel to the mood, spirit, excitement, and freedom, of the original hippie times. Like an invisible virus music from our formative years rummages around in the memory banks and finds the young soul that lurks deep within the ever-aging mind and body. A remembrance, more than nostalgia, it’s like a secret, authentic self that is hiding in a closet coming out for a cameo.
Oldies music is not new, but the attitude about it is. In 1969 I attended a wild concert at the Fillmore in San Francisco, Sha Na Na came on and drove us young hippies wild with their fifties cover songs. In those days a heavy dose of camp and sarcasm fueled our enthusiasm. We thought we had evolved so much that oldies music from ten years before was corny and hilarious.
That doesn’t happen now with oldies music. Now, even millennials like and respect music from the sixties and seventies. The generation gap that was so glaring back in the day has closed. That night on the Santa Monica Pier all ages swayed to the classic rock of Starship/ Airplane. Cruising through the time-tunnel, I recalled a free concert I saw by Jefferson Airplane at the Los Angeles’ Griffith Park Merry-go-round area in 1969. The impromptu show happened because somehow a planned concert at a real venue was cancelled by the ‘Man’. The word spread through the hippie underground and hundreds converged on the spur-of-moment show. A grand time was had by all and no sign of ‘The Man.’ Radical politics of the time inspired their new album, Volunteers, and the kids shouted out in unison with lyrics that confronted the ‘system’ with words like ‘Up against the wall motherfuckers’ and ‘We can be together.’ Reminiscent of the spirit of millennials today in their support of Bernie Sanders.
For us Boomers the music was often more than entertainment, our lives organized around it. Like today’s smart phones, it was our social media sharing political views, clothing and artistic styles, in addition to entertainment. Even today forty plus years later, those same performers and songs can resuscitate the old spirit of community, justice, and freedom. Well-proven neuro-science states that our minds are still forming into the mid-to late twenties, so it makes sense that the imprints we experience at that age stay with us and continue to excite us. It might even be a clue to the strange black hole of the age of 27 for many rock stars flare out via drugs.* (I’ll save that for another column).
My friends and associates, except for the few hard-core music aficionados like Jack, listen to the old music from our formative twenties. Especially, the original bands like the Who, Stones, or Starship, who replicate the originals with new players. At the 2015 New Orleans Jazz Fest, the Who’s two remaining original members, Pete Townsend and Roger Daltrey performed the classics like ‘Won’t Get Fooled Again,’ with gusto, but what blew me away was how the replacement drummer (Zake Starkey, son of Ringo Starr) didn’t miss one of Keith Moon’s original licks.
Experiencing tribute or classic bands (even in the disguise of one original member like the Starship) opens that deep mine of soul, freedom, and adventure hidden by by the march of time. It still resides inside somewhere and the music can bust into Rumi’s wine house and imbibe the sweet grape of freshness and spontaneity. After getting drunk on this strange elixir from the past, something wakes up in me and I want to, ‘bang a gong, get it on.’ Who hasn’t felt that from a cherished oldie?
Discovery and adventure are integral to my post-work philosophy of Living the Dream Deferred, but the old hippie music satisfies in a way that new can’t. Like a fine pair of old jeans and tennis shoes and scratchy 45s, they’re well loved. We’ve known it for forty years and like an old friend, it awakens the spirit of youth regardless of who is playing it.
Sadly, Paul Kantner didn’t return to the stage that night at the Pier, but his daughter by Grace Slick, China Kantner sang harmony on Somebody to Love. The lineage received due honor. Paul Kantner reportedly never renounced his Summer of Love principles of peace, love, and a positive future. A stalwart icon of the hippie movement, his vision lives on in the music of the Airplane/ Starship and in the souls of the older ‘kids’ who took a breath of that fresh air of a Utopian generation.
*Jimi Hendrix, Janis Joplin, Gram Parsons (almost 27), Alan Wilson (Canned Heat), Kurt Cobain, Amy Winehouse, Jim Morrison, Brian Jones, and many others.